![]() Been through the "too many options" black hole. I have been recording for about 40 years. Everything is grouped logically and color coded. AND the order and position of tracks are set. It has all the tracks I can think of needing for any project, FX busses set up, etc. Quite simple, actually.Ī key element is that I am now working out of a master template. I use the HID program to turn a second USB keyboard into a trigger for the macros. I created a macro to instantiate a UAD/Waves/Liquid Mix EQ on the first insert of a highlighted channel.I suppose this is where you are using HID Macros you've mentioned earlier? I just started to have a look at it, and looks like the mouse clicks happening at their set coordinates can be triggered using a script, but how are you doing this?Īt this time, I create the external (to Cubase) macros using a macro app called TinyTask. A different button will take me back to the stock controls. It then switches to a BCR profile for the Cubase strip, but the EQ knobs and switches now control the 3rd party EQ. I created a macro to instantiate a UAD/Waves/Liquid Mix EQ on the first insert of a highlighted channel. I often prefer to EQ at the top of the chain. Now, the built-in EQ on the the Cubase strip is post inserts. Every insert, send, EQ band, on/off switch. I have one BCR dedicated to the Cubase channel strip. Frankly, the BCF/BCR units from Behringer are capable of much more than many people realize. By using the profiles on the Generic Remote, it works perfectly: the hardware snaps to whatever is chosen on the screen. The factory Preset mode on the Behringer stuff is useless, in Cubase, as the hardware doesn't update from the software when switching presets. ![]() I have all the buttons on the right side of the BCFs set up for either hitting several favorites, or, using the button, to scroll through them one by one. Now I see I can just directly assign the profiles to specific buttons and switch between them - that's so much easier, and much more manageable. Anything that has is listed in the key commands can be mapped. It also allows you to run macros created in Cubase. If you are using the hardware to control something that is common to all channels, (mute button), it will work on any channel that has the feature you are mapped to. If one of the channels has that EQ on insert 2, the hardware isn't going to communicate with it properly. If you have a particular EQ on the first insert of a bunch of channels, you'll be able to jump from channel to channel and control the same functions on each one. If you are using this for plugins, bear in mind that each profile will refer to a specific plugin on a specific insert of any channel. I found going in the other direction, with the hardware sending a single set of instructions that the profiles in Cubase could apply (via profiles) to specific plugs to be very reliable and effective. The two-way communication was trashed when switching between MIDI channels on the hardware. I experimented with this and found it to be buggy. The list will be enormous and, in my opinion, unwieldy. You can switch templates on LCXL at anytime, so you can just make the user template #1 for controlling synths (MIDI ch 1), #2 for Generic Remote (MIDI ch 2), for example.To do so, you would have to make a duplicate top section in the editor for each MIDI channel, if I am understanding your suggestion correctly. My wrist is loving it.Ĩthwave, you could simply use different MIDI channels for different templates on LCXL, and make the Generic Remote respond to a specific channel only. At 7.5” X 7.5”, they fit just about anywhere.Ĭombined with 3 BCRs, 2 BCFs, a touchscreen and 2nd USB keyboard that just runs macros, I barely need to touch my trackball. With 3 of them, all of these things are available at once: no scrolling or pages. I can also turn sends or inserts on/off, have transport control, workspaces, cycle markers, change views, address specific mixers, change targets and do most of my common audio/MIDI tasks with the same facility. I can access any one of these with a single push of a button. My template has close to 100 audio/MIDI tracks, 16 groups, 8 dedicated FX busses and 13 VSTis. This wasn’t what Novation really had in mind, based on the discussions I’ve had with their support desk, but I’ve been getting great results and I thought I’d pass this along. Any button can be assigned to any command, macro, controller, etc…. Given that you can create and scroll through virtually endless profiles, well, do the math. I don’t know about other DAWs, but the Cubase Generic Remote utility makes this an incredibly capable and flexible tool.įor starters, it gives you 80 buttons, and that is in just one profile. If you use Cubase, you should check out the Novation Launchpad Mini. Take this for whatever it’s worth to you.
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